“When George W Bush becomes president, for the first time, I knew someone dumber than me was president, and the whole fucking thing fell apart. It’s all been a house of cards, it’s all been a shell ...

A white, windowless storefront in Ridgewood, Queens, has the distinction of being the neighborhood’s first new cinema in nearly 100 years. Co-founded last year by filmmaker John Wilson alongside ...

A white, windowless storefront in Ridgewood, Queens, has the distinction of being the neighborhood’s first new cinema in nearly 100 years. Co-founded last year by filmmaker John Wilson alongside ...

A white, windowless storefront in Ridgewood, Queens, has the distinction of being the neighborhood’s first new cinema in nearly 100 years. Co-founded last year by filmmaker John Wilson alongside ...

Harris Dickinson’s characters are demarcated by specific class consciousnesses: Coney Island’s Frankie in Beach Rats, who cruises for older men on a webcam site; a particular brand of selfishness and ...

The 55th edition of New Directors/New Films, the annual showcase of rising cinematic talent co-presented by Film at Lincoln Center and MoMA, will run April 8-19. Opening the festival is Adrian ...

There’s an honesty to Rap World, the feature debut of co-directors Conner O’Malley and Danny Scharar, beyond its vérité stylings. With Scharar playing the director, Ben, Rap World is a mockumentary ...

Part eulogy for a bygone commercial space, part rigorous investigation of its origins and subsequent representation in popular culture, Alex Ross Perry’s Videoheaven leaves virtually no stone unturned ...

For a film about the end of the world, Mare’s Nest is hardly lugubrious. Then again, you could say the same about Ben Rivers’s entire oeuvre. Few directors who’ve kicked off their careers after the ...

Last fall, desiring information to aid our own filmmaking careers, we launched an experiment to see whether we could obtain hard data on independent film revenue. Having experienced firsthand how ...

A 4DX screening offers a host of bells and whistles engineered to make the moviegoing experience less passive. Three motors in every seat work in tandem to shake a participant around violently during ...

Ari Aster previously used the horror genre as a lens to examine dysfunctional family dynamics in Hereditary and break-up messiness in Midsommar. He then pivoted to the manic surrealism of Beau is ...