At Frieze Masters 2026, works created across millennia are brought into new conversations through fresh research and ...
As a child, all I wanted was to play the flute – graceful, melodic and beautiful. At a music audition, an eccentric teacher ...
At Aargauer Kunsthaus, the artist toys with flashy surfaces and cryptic gestures that reward attention while withholding easy ...
You can’t make art by making art,’ Arnold J. Kemp once said in an interview with Sarah Margolis-Pineo. This refusal of ...
Trinh T. Minh-ha’s first film, Reassemblage (1982), is in some sense a work of ethnographic cinema. Shot in Senegal, it is filled with scenes of daily life, especially of village women. Yet, from its ...
In the Australian art world, ‘decolonization’ has become a buzzword in academia, galleries and museums, yet our Aboriginal and Torres Strait Islander artists have been calling for decolonization and ...
There is a famous picture of the 75 delegates to the 6th conference of the International Congresses of Modern Architecture (CIAM). Held in the UK in 1947, in the unassuming Somerset market town of ...
An imposing wooden structure bisected with lines of thread greets visitors head-on at the entrance of the current Anni Albers show at the Tate Modern. The contraption – a shaft countermarch loom – is ...
For nearly 30 years, they sat in storage in the dampness of Lima – a city where, as the artist who made them observed, it’s too humid for paint to dry. Prism-shaped objects, painted with garish ...
In the early 1980s, the UK government, led by newly elected Conservative Prime Minister Margaret Thatcher, adopted a financial policy known as monetarism – the idea that, by controlling the supply of ...
Richard Maguire’s solo show, ‘There Is No Beginning, As There Is No End’, at Collective, Edinburgh, comprises fragments upon ...
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